You are not hiring a drone. You are hiring the person flying it, the person pulling focus off it, and the paperwork that lets it leave the ground.
Chicago operators earn their rate in November. Wind off the lake, cold that halves your battery endurance, and downtown canyon effects that behave nothing like open-field flying. A unit that has only flown this city in summer will tell you the shot is possible and then not get it.
A CineDrones operator arrives as a unit, not a hobbyist with a case. FAA Part 107 certificated pilot, dedicated camera operator on the gimbal where the shot calls for it, visual observer, and the authorizations filed before the call sheet locks. We have worked on sets since 2013, which mostly means we know when not to fly — when the AD is behind, when the light is about to go, when the shot is better served by staying out of the way.
The Chicago Film Office handles City permitting, and lakefront and park locations carry their own approvals through the Park District. Aerial work downtown routinely requires coordination beyond the base film permit.
Chicago crews are experienced at working through weather that would stop a shoot elsewhere, and productions here budget for it. The city's stage space and long-running series slate mean a stable, professional crew base rather than a boom-and-bust one.
We shoot the Loop, the lakefront, the river, and the neighborhoods — and we travel. CineDrones works nationwide, so if your production is basing in Chicago and shooting somewhere else entirely, that is a normal week for us.
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