You are not hiring a drone. You are hiring the person flying it, the person pulling focus off it, and the paperwork that lets it leave the ground.
The French Quarter carries a layer of historic-district restriction on top of City film permitting, and it is the layer visiting operators miss most often. An operator who has worked New Orleans knows which blocks are genuinely workable and which will get the unit shut down.
A CineDrones operator arrives as a unit, not a hobbyist with a case. FAA Part 107 certificated pilot, dedicated camera operator on the gimbal where the shot calls for it, visual observer, and the authorizations filed before the call sheet locks. We have worked on sets since 2013, which mostly means we know when not to fly — when the AD is behind, when the light is about to go, when the shot is better served by staying out of the way.
Film New Orleans handles City permitting and Louisiana Entertainment coordinates the state incentive. The French Quarter carries its own layer of historic-district restriction, and it is the layer visiting crews most often miss.
Louisiana's incentive built and kept a professional crew base here, and Second Line Stages anchors it. The market is smaller than Atlanta's but the people are experienced and the rates are reasonable.
We shoot the French Quarter, the river, the bayou, and the Garden District — and we travel. CineDrones works nationwide, so if your production is basing in New Orleans and shooting somewhere else entirely, that is a normal week for us.
DRONE OPERATOR — OTHER MARKETS: Albuquerque Atlanta Austin Chicago Las Vegas Los Angeles Miami New York Salt Lake City